Friday, April 13, 2012
Wednesday, June 29, 2011
Thursday, May 19, 2011
Abbey Road Studio 2, Shaun Keaveny & luthier Sam Walker
Shot in Studio 2 Abbey Road at The North American Guitar gig - BBC Radio 6 man Shaun Keveney talked to Wirebird guitars founder Sam Walker about how it all started.
And here's Shaun with one of Sam's most elegant creations.
And here's Shaun with one of Sam's most elegant creations.
The North American Guitar at Abbey Road Studio 2
The North American Guitar is a new company set up to help people who want the very best hand built (really hand built) guitars find the very best luthiers. Best luthiers - not the most known luthiers. They work with people like Brent McElroy and Sam Walker.
This week they hosted an evening in the magical Studio 2 at Abbey Road Studios - it was a kind of guitar heaven - with some very good wine thrown in.
Here are some shots


This old mike was very beautiful to see - as used during Beatles recordings

And here's Neville Marten and Jason Sidwell from Guitar Techniques magazine playing some slick blues on a couple of Wirebird Tele's.
This week they hosted an evening in the magical Studio 2 at Abbey Road Studios - it was a kind of guitar heaven - with some very good wine thrown in.
Here are some shots


This old mike was very beautiful to see - as used during Beatles recordings

And here's Neville Marten and Jason Sidwell from Guitar Techniques magazine playing some slick blues on a couple of Wirebird Tele's.
Tuesday, May 10, 2011
Violin case wabi sabi
I've written before about my enthusiasm for Wabi Sabi, the aesthetic of Zen Buddhism. Wabi Sabi is an expression of the transience of all things on this earth, and places objects that shows signs of age and use in high regard.
Here's a lovely old violin case that hit the button for me at Mondo Musica in Bologna last year. I hope my cases will end up looking as fine as this.
Here's a lovely old violin case that hit the button for me at Mondo Musica in Bologna last year. I hope my cases will end up looking as fine as this.
Tuesday, December 07, 2010
Calder Classical Guitar Case in Barenia
Spent a happy day polishing up some shots of our first case made with the renowned Barenia leather from Tanneries Haas. Normally I avoid flash photography but this time I found flash brought out the lushness of this leather.
The client asked for flat fitted velvet rather than the crumpled arrangement we use for our electric guitar cases.



The client asked for flat fitted velvet rather than the crumpled arrangement we use for our electric guitar cases.



Tuesday, November 09, 2010
Calder new classical guitar case in Barenia leather
We're just completing a classical guitar case for a US client. The client wanted this completely clean interior without the crumpled velvet effect that we use for our electric guitars.
The exterior is covered in Barenia, a classic French leather with a wonderful look and feel. Barenia used in some of the very fine leather goods made by Hermes.
The way the light catches the interior shows the irridecence achieved by hand painting the silk velvet.
The exterior is covered in Barenia, a classic French leather with a wonderful look and feel. Barenia used in some of the very fine leather goods made by Hermes.
The way the light catches the interior shows the irridecence achieved by hand painting the silk velvet.
Thursday, October 07, 2010
Report from Cremona Mondo Musica violin fair
Cremona Mondo Musica is one of the world's largest trade fairs for violin makers & dealers.
The tools used to make violins are things of beauty in themselves - like these tiny brass and steel planes and violin pegs.


I went to discuss my new red violin case with Boston based master violin maker Marco Coppiardi - here he is on the right with fellow luthier Luca Salvadori.

Carbon fiber expert and cello maker Angus Noble was at the fair with me and we were invited to the launch of a new 4 volume book on the violins of Stradivarius by Jost Thone of Violin Expo, with superb photographs by Jan Roehrmann- seen here on the left.

The launch was in the studios of another master luthier Jens Gosta Jahansson. Jen's studio is in the magnificent rooms of a former palace.

Here's the Calder red violin case at Marco's Cremona house - it was a proud moment for me when Marco put a Guarneri violin in it.


Over coffee, Marco showed me these violin pegs to demonstrate the difference between modern and 18th century workmanship, the latter has much more depth in the carving and much more character.

I was very taken with this beautifully bashed up old leather covered case - I hope mine will age this well. This is whole magic of leather - it just looks so good when it is worn - great illustration of wabi sabi.
The tools used to make violins are things of beauty in themselves - like these tiny brass and steel planes and violin pegs.


I went to discuss my new red violin case with Boston based master violin maker Marco Coppiardi - here he is on the right with fellow luthier Luca Salvadori.

Carbon fiber expert and cello maker Angus Noble was at the fair with me and we were invited to the launch of a new 4 volume book on the violins of Stradivarius by Jost Thone of Violin Expo, with superb photographs by Jan Roehrmann- seen here on the left.

The launch was in the studios of another master luthier Jens Gosta Jahansson. Jen's studio is in the magnificent rooms of a former palace.

Here's the Calder red violin case at Marco's Cremona house - it was a proud moment for me when Marco put a Guarneri violin in it.


Over coffee, Marco showed me these violin pegs to demonstrate the difference between modern and 18th century workmanship, the latter has much more depth in the carving and much more character.

I was very taken with this beautifully bashed up old leather covered case - I hope mine will age this well. This is whole magic of leather - it just looks so good when it is worn - great illustration of wabi sabi.









